Who Needs Netflix Docos And Cool - 799 Words

Who needs Netflix? Docos and chill!By Sabrina Delgado I snuggle in for another movie night as the buttery smell of palm oil free popcorn wafts through the room. But I’m not waiting for the newest blockbuster to load, I’m waiting for an acclaimed documentary that has snagged my interest. No longer are they stifling classroom videos from the ‘golden ages’, but intriguing films that are enjoyed by many. Including me. As a twenty-year-old who can’t afford to travel, I have taken a liking to documentaries that allow me be anywhere in the world, even if it’s just for an hour or so. Years of Living Dangerously (2014), produced by James Cameron, Jerry Weintraub and Arnold Schwarzenegger, shows the scary reality of climate change and how the†¦show more content†¦Thanks to oceanographer Ben McCartney, I know now that to find the perfect wave one must know the â€Å"length, durations and speed of winds associated with a storm developing over open ocean.† Now all you need is a surfboard and bom.gov.au and you’re ready to let loose. Not only did I learn the science behind surfing, but also the life-threatening risk that Visser was putting himself into by attempting to ride a 10-meter wave at the perilous location of Jaws. The suspenseful non-diegetic sound alerted me to the dangers of the deep as Visser endeavoured in his first deep diving experience. The enthralling music played with my thoughts as I sat en the edge of my seat, biting my nails. This was truly a moment in surfing history. In this digital age of likes, comments and snaps, it’s extremely easy to lose focus on things that are right in front of you. Although, unlike many people of my generation, I don’t immediately turn my nose up at anything old, dusty or dull. In fact, I share a love for an old but intriguing man by the name of David Attenborough. In his newest documentary, David Attenborough: Natural History Museum Alive (2014), directed by Dan Smith, the fascinating facts of both creatures long gone and the museum itself and its development are exposed. With extinct animals brought to life through the magic of CGI, it felt more like an adventure movie than a documentary. I